Tower of God
Photo Credit: Telecom Animation Film

Tower of God anime based on the South Korean webtoon series is one of the biggest hits of year 2020 and one of the most anticipated series of the Spring anime season that received an enormous amount of fans’ love and support.

Recently Cayla Coats from Crunchyroll made an interview with the director of the anime Takashi Sano who revealed the adventure he had with the series on the interview, check it out below:

Q: How did you come to work on Tower of God?

A: Telecom Animation Film (the animation studio for Tower of God) was offered the project, and I received an offer to direct straight from them.

Q: How did you feel about Tower of God after reading the original work? Did you find it interesting? Did you sense anything special about the series?

A: I found that it was deeply rooted in Korea’s social structure, so I felt I needed to make it a little more accessible to the general anime audience.

Q: Was there anything different about adapting a WEBTOON series (Korean webcomic) compared to adapting manga, light novels, or other kinds of original work?

A: There weren’t many restraints. The production was overall quite easy.

Q: Was there anything novel about adapting a WEBTOON series compared to adapting a regular comic?

A: The most novel thing about the project was that, because the title originated in Korea and was adapted in Japan, there was already a very large audience built in to it.

Photo Credit: Telecom Animation Film

Q: Did your experience directing past series with intense action scenes prove useful when working on Tower of God?

A: The projects I’ve worked on previously served as a rule of thumb. I believe I was able to apply that experience to this series.

Q: How did you translate the look and feel of the original work into an anime? What do you think fans of the original work are hoping to see from the anime?

A: We conformed our visuals to the original work. I thought most fans of the original work would want to see the comic come to life rather than something totally original, so the staff and I were very careful about that.

Q: How much contact did you have with author SIU during production?

A: The WEBTOON editors acted as a go-between for the production staff and SIU. I had no direct interaction with him, but I believe he was very cooperative with how the anime was produced.

Q: What do you think makes Tower of God stand out the most?

A: Anything is possible in this world, which makes it unique. It’s also what stands out in the original work.

Q: You’ve worked in the anime industry for a long time in a variety of roles including storyboarding, animation, and directing. How is each role different? Do they require different skills?

A: The skills required are different depending on genre, too. I primarily focus on storyboarding.

Photo Credit: Telecom Animation Film

Q: Tower of God is Crunchyroll’s first international collaboration. Compared to other projects you’ve worked on, was there anything different about production?

A: It wasn’t particularly different. As the director, I had more responsibility. I spent a lot more time on this project than usual.

Q: The anime fan community has spread beyond Japan and become global. What do you take into consideration when producing an anime?

A: It depends on the nature of the series, but when it comes to Tower of God, we were careful not to lose the story or feel of the original work. I believe we can learn something from how international viewers respond to the adaptation of an original work through this series.

Q: Are there any anime, comics, or pop culture elements that have strongly influenced your directing?

A: I find director Clint Eastwood’s method of telling a story and visual expression attractive.

Q: Tower of God has many fans from around the world. Were you worried at all about working on that kind of series?

A: Since the original work is so powerful, I was careful not to modify the content much.

Q: If you tried to climb the Tower of God, what would be your ultimate goal?

A: To find a nice comfortable floor in the Outer Tower and live a life of debauchery.

Q: Is there anything you’d like to tell viewers of this series?

A: No matter how hard we struggle, people can’t live without connecting with one another. I hope you find your own happiness.

Q: Finally, is there anything you’d like to tell anime fans and Tower of God fans around the world?

A: Please read the original work along with watching the anime. I believe you’ll have a deeper experience.

Photo Credit: Telecom Animation Film

The Tower of God anime‘s first episode debuted on April 1 on Crunchyroll and on April 2 in Japan.

Anime’s recently confirmed cast members include:

  • Taichi Ichikawa as Bam
  • Saori Hayami as Rachel
  • Houchu Ohtsuka as Headon
  • Rie Suegara as Endorsi Jahad
  • Akira Sekine as Anaak Jahad
  • Nobuhiko Okamoto as Khun Aguero Agnes
  • Kenta Miyake as Rak Wraithraiser
  • Mariko Honda as Yuri Jahad
  • Toshinari Fukamachi as Hatz
  • Takuya Eguchi as Shibisu
  • Kazuyuki Okitsu as Evan Edroch
  • Daisuke Ono as Phonsekal Laure
  • Kenjiro Tsuda as Lero-Ro

Anime’s staff members include:

  • Takashi Sano is directing the anime at “Telecom Animation Film” (TSM Entertainment)
  • Hirokazu Hanai as the assistant director
  • Erika Yoshida is in charge of series composition
  • Masashi Kudo and Miho Tanino are designing the characters
  • Kevin Penkin is composing the music

A short synopsis for the series:

“Reach the top, and everything will be yours. At the top of the tower exists everything in this world, and all of it can be yours. You can become a god. This is the story of the beginning and the end of Rachel, the girl who climbed the tower so she could see the stars, and Bam, the boy who needed nothing but her.”

Tower of God is a webtoon composed and drawn by Lee Jong-hui additionally known by the nom de plume SIU launched the manhwa (comics) on NAVER WEBTOON in 2010. WEBTOONS launched the manhwa in English in July 2014.