Sword Art Online Goddess of Creation Asuna Appeared in War of Underworld
Photo Credit: A-1 Pictures

Sword Art Online Alicization: War of Underworld is proceeding on its tremendous Alicization arc with the War of Underworld half of its season, and the most recent scene of the arrangement commenced the activity pressed Asuna would have been a piece of the Underworld time notwithstanding powerlessly viewing Kirito all things considered.

Be that as it may, fortunately, this won’t last any longer as Asuna has, at last, made her official introduction in the Underworld.

Asuna formally signs into the most recent virtual universe of the arrangement, however dissimilar to different encounters, she’s had in the past Asuna is a significantly more dominant substance here.

Entering the Underworld with a glimmer of light, Asuna is formally signed into it as the Goddess of Creation Stacia. She’s one of the amazing goddesses that helped structure the Underworld as indicated by the individuals living in it, yet that is not actually evident. Much like how Gabriel had the option to transfer himself into the super-amazing Emperor Vecta account, Asuna had the option to do likewise for Stacia.

Sword Art Online: Alicization War of Underworld which is the 2nd part of the third season of the anime debuted on Tokyo MX, BS11, Gunma TV, Tochigi TV, and MBS, on October 12, and it is likewise streaming on AbemaTV. The show will at that point debut on AT-X on October 13, and on TV Aichi on October 15. The anime is also available to watch on HİDİVE, Crunchyroll and Funimation.

SAO is a Japanese light novel arrangement composed by Reki Kawahara and delineated by ABEC. The arrangement happens sooner rather than later and centers around hero Kazuto “Kirito” Kirigaya and Asuna Yuuki as they play through different augmented simulation MMORPG universes.

Sword Art Online has gotten across the board business achievement, with the light books having more than 20 million duplicates sold around the world. The anime arrangement has gotten blended to positive audits, with applause for its movement, melodic score, and investigation of the mental parts of virtual reality, yet reactions for its pacing and composing.


(C) Reki Kawahara, ASCII Media Works / “Sword Art Online” Production Committee