Attack on Titan, Hajime İsayama‘s worldwide famous creation has been one of the biggest hit on Spring 2019 anime season with the part 2 of its third season with the perfect story, and the perfectly executed animation by Wit Studio.
Following the finale of the third season the fourth and final season was announced for Fall 2020 with no certain date what’s more, as per another report this is on the grounds that Season 4 will supposedly be postponed. As we head into Summer 2020 this discharge is beginning to appear to be unmistakably increasingly improbable.
As per a report from a trustful news source YonkouProductions on Twitter, who has had a solid reputation of giving an account of different anime venture declarations before their authority uncover, the word around town is that Attack on Titan Season 4 will be postponed. Albeit no potential explanation has been given, there is a fascinating purge that could clarify the postponement.
It may appear as though Attack on Titan’s last season delay, in the event that it is affirmed to occur, will be because of the effect of the CoronaVirus pandemic. In any case, YonkouProductions noticed that there was conceivably a studio shake up also with the last season being dealt with by a studio other than WIT Studio like the past three periods of the arrangement.
Attack on Titan is a Japanese manga arrangement both composed and shown by Hajime Isayama. The arrangement initially started in Kodansha’s Bessatsu Shōnen Magazine on September 9, 2009, and it has been gathered into 31 tankōbon volumes as of April 2020.
Attack on Titan has turned into a basic and business achievement. As of December 2019, the manga has 100 million tankōbon duplicates in print around the world (90 million in Japan and 10 million outside of Japan), making it a standout amongst the smash hit manga series. The anime adjustment has been generally welcomed by pundits with the initial three seasons being met with basic approval with a commendation for its story, movement, music, and voice acting. The anime has demonstrated to be incredibly fruitful in both the U.S. what’s more, Japan, in this way boosting the arrangement’s ubiquity.
“(C) Hajime Isayama, Kodansha / “Attack On Titan” Production Committee”