Attack on Titan Celebrates 10th Year Anniversary

Attack on Titan Tenth Anniversary Festival will praise the hit manga’s serialization achievement on September 9. The celebration will happen during the Attack on Titan FINAL display at the Mori Arts Center Gallery in Roppongi, Tokyo.

The show will show another bit of dedicatory work of art by creator Hajime Isayama on September 9 and arrangement a photograph background of the arrangement’s characters at the setting. Participants can hang out at a bar with Hange, claim to get stepped by Levi, abstain from getting stomped on by Erwin, or solace Mikasa.

Attack on Titan FINAL will make a beeline for Osaka on September 21 in the wake of completing its keep running in Roppongi. The show opened on July 5 and is showing Isayama’s drafts from the most recent 10 years including unreleased substance. Long-lasting manga fans will need to go to for an opportunity to hear the manga’s last section as a major aspect of the “Sound of the Final Story” display.

Guests can look at a 20-meter screen and full-scale diorama displaying the universe of Attack on Titan. A sound guide including the voices of Yuuki Kaji “Eren“, Hiroshi Kamiya “Levi“, Yui Ishikawa “Mikasa“, Daisuke Ono “Erwin“, Marina Inoue “Armin“, Romi Park “Hanji“, and more were made for the show.

Compelled version product can be acquired at the venue.

Attack on Titan is a Japanese manga arrangement both composed and shown by Hajime Isayama. The arrangement initially started in Kodansha’s Bessatsu Shōnen Magazine on September 9, 2009, and it has been gathered into 28 tankōbon volumes as of April 2019. It is set in reality as we know it where mankind lives in urban communities encompassed by tremendous dividers that shield the people from colossal man-eating humanoids alluded to as titans.

Attack on Titan has turned into a basic and business achievement. As of April 2019, the manga has 90 million tankōbon duplicates in print around the world (80 million in Japan and 10 million outside of Japan), making it a standout amongst the smash hit manga series. The anime adjustment has been generally welcomed by pundits with the initial three seasons being met with basic approval with a commendation for its story, movement, music, and voice acting. The anime has demonstrated to be incredibly fruitful in both the U.S. what’s more, Japan, in this way boosting the arrangement’s ubiquity.

“(C) Hajime Isayama, Kodansha / “Attack On Titan” Production Committee”